Art Nouveau Design Styles and Interiors

The Art Nouveau design style made its appearance during the last ten years of the nineteenth century. At the time Victorian design and decoration was truly excessive, and people were secretly looking for something with perhaps a little less "clutter".

Art Nouveau design was born out of that desire to simplify things.

There was a general movement towards making rooms lighter and altogether less cluttered. This was reflected in the newly popular, paler paint colors for walls that were in strong contrast to the previously fashionable, darker shades and were seen as fresh and airy by comparison.

To provide interest, a paper or painted frieze might have been added at the ceiling line and borders above the skirting/base board were not unusual. Architectural embellishments were few. Dados diminished in popularity, but a picture rail or plate rack at approximately eye level might have been featured. Pilasters and paneling were also sometimes applied, especially if they could be employed to emphasize the vertical. Wallpapers, mostly depicting botanical themes, continued to be favored, particularly now that their cost was much reduced as a result of machine-manufacture.

Plain window and door glazing now gave way to more decorative treatments. Stained glass featuring geometric patterns or representations of botanical subjects was popular.

The latter part of the nineteenth century saw a decline in the fashion for large area rugs. These were often removed in favor of wood floors, both board and parquet, which were frequently covered with faded oriental carpets.

Art Nouveau Furniture

Plush curtain treatments and deeply buttoned upholstery were eschewed by the followers of the New Art. In their stead simpler furnishings were in evidence.

Attention was directed to the windows themselves rather than to how they were dressed. Pelmets, if they were used, were now flat and of simple design, otherwise lengths of fabric would be simply gathered and suspended from a plain wooden pole. With the emphasis on vertical lines, the curtains were frequently full length and rarely caught in a tie-back.

Furniture designs were pared down to a more basic form and were usually constructed from oak or satin-wood for a lighter look than the traditional mahogany. These items would have a simple wax finish and the grain was much in evidence. Cutouts, often in the form of a heart, inlaid work and simple carving were the principal embellishments to be seen.

Other items of art nouveau furniture, in the Mackintosh manner, were highly stylized, and chairs with their exaggerated ladder-backs were often painted black.

Lighting And Accessories

Probably the first item that springs to mind when Art Nouveau is mentioned is the Tiffany lamp. Its skilled American creator, L. C. Tiffany, who also designed whole houses (appropriately enough, for someone whose middle name was Comfort), produced some of the loveliest colored and leaded glass lamps to be seen. Although electricity became available during this period (to those who could afford it), in general the appearance of light fittings varied little from those fittings previously designed for gas.

Far fewer accessories were displayed, the emphasis being on objects made from silver, copper, ceramic, glass, bronze and pewter.

Whatever design style you are looking to incorporate into your home, check out these tips for interior room designs inspiration. Whether you're thinking along the lines of a Victorian style or just looking for some living room design ideas.

Are These Trendy Victorian Style Interior Design Ideas

With wealth and security inevitably come a profusion of styles and an irresistible temptation to go over the top: a broad statement, but one borne out by history. In the twentieth century we have to look back no further than to the 1980s to see evidence of this. If we retreat even further - to the mid-nineteenth century - we find perhaps an even finer example - I'm talking of Victorian interior design ideas.

Victoria was on the British throne, her empire was churning along quite nicely and the rewards of the industrial revolution were being appreciated by a rapidly growing middle class. In the 'workshop of the world', as England was then known, fortunes were being made through trade with the colonies. Add to this newly found wealth and security, a monarch with strong feelings about home and family, and you have all the back-ground ingredients of Victorian style.

With all attention on the home, it was obvious that this was where an individual's status could best be demonstrated to the world at large. The message was loud and clear: 'I have arrived, I have substance and I espouse family values' (sounds familiar?). A great surge in building and urban development ensued, much of which constitutes the English housing stock of today.

The penchant for classical styles was declining, but without any strong, new, directional fashion surfacing, the only way to look was back and to reviving previously popular interior and living room design ideas (this too has its parallel in the 1980s when shabby-chic country-house eclecticism became all the rage). Gothic, Elizabethan, oriental, Scottish baronial, Egyptian and rococo - these were among the many styles that the Victorians mixed somewhat indiscriminately. When interpreting Victorian style today, you have the choice of jumbling these various furnishing styles within one room or perhaps of concentrating on just one theme in each individual space.

Industrialization had arrived and furniture was produced en masse (but, alas, not always to the highest standard). At least this meant that furnishings cost less and were therefore available to a wider public and in greater abundance. It should be no surprise, then, that house dwellers of the time overdosed on exuberance. The Victorian home is typified by the cluttering of furnishings, layer upon layer. Why stop at one pair of curtains at a window when these can be accompanied by blinds and net drapes too? Every imaginable item was draped, trimmed and bedecked; every inch of floor space crammed with furniture and every table spilt over with memorabilia.

While the dictates of today's decorators may be 'Less is more' or 'If in doubt, leave it out', the byword of their Victorian equivalents was 'More is marvelous'!

Although at the beginning of this long-enduring period (1837-1901) schemes tended to be relatively light in feel, by the turn of the century they had become altogether more somber. Window treatments were designed to restrict light, the decorator's palette took on deeper tones, furnishings became bulkier and dark woodwork dominated living room designs. Artificial lighting, despite the arrival of oil lamps followed by gas lamps, did little to brighten interiors. This all sounds rather dull until you remember that the Victorians would dress their rooms according to the season.

Come spring, many of the heavier elements would be replaced or covered by lighter-weight materials in paler colors; then the winter scheme would be re-imposed in the autumn. We adopt this arrangement for our personal clothing, so why not for our rooms?

In Victorian times there was a preciseness that we perhaps lack today with our flexible casual lifestyles. Each room had its definitive purpose and style of decoration. Libraries, drawing rooms and dining rooms tended towards the sumptuous, while upstairs was generally given a lighter, more feminine touch.